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Summer Group Show

July 20–September 15, 1997
Beverly Hills

Chris Burden, Another World II, 1993 Wood base, wood block buildings, glass river, 2 Titanic model boats, Meccano building parts, motor, 65 × 59 × 59 inches (165.1 × 149.9 × 149.9 cm)

Chris Burden, Another World II, 1993

Wood base, wood block buildings, glass river, 2 Titanic model boats, Meccano building parts, motor, 65 × 59 × 59 inches (165.1 × 149.9 × 149.9 cm)

Jake and Dinos Chapman, Shuffle, 1996 Fiberglass resin and paint, 50 × 24 × 23 inches (127 × 61 × 58.4 cm)

Jake and Dinos Chapman, Shuffle, 1996

Fiberglass resin and paint, 50 × 24 × 23 inches (127 × 61 × 58.4 cm)

Francesco Clemente, There, 1993 Pigment on canvas, 76 × 72 inches (193 × 182.9 cm)

Francesco Clemente, There, 1993

Pigment on canvas, 76 × 72 inches (193 × 182.9 cm)

Damien Hirst, Beautiful, cheap, shitty, too easy , anyone can do one, big, motor-driven, roto-heaven, corrupt, trashy, bad art, shito, motivating, captivating, over the sofa, celebrating painting, 1996 Household gloss paint on canvas, diameter: 120 inches (304.8 cm)© Damien Hirst

Damien Hirst, Beautiful, cheap, shitty, too easy , anyone can do one, big, motor-driven, roto-heaven, corrupt, trashy, bad art, shito, motivating, captivating, over the sofa, celebrating painting, 1996

Household gloss paint on canvas, diameter: 120 inches (304.8 cm)
© Damien Hirst

Ed Ruscha, The Mighty Ones, 1993 Acrylic on lunette-shaped canvas, 66 × 137 inches (167.7 × 348 cm)

Ed Ruscha, The Mighty Ones, 1993

Acrylic on lunette-shaped canvas, 66 × 137 inches (167.7 × 348 cm)

Robert Therrien, No Title (red devils), 1997 Mixed media on panel, 101 × 87 inches (256.5 × 221 cm)

Robert Therrien, No Title (red devils), 1997

Mixed media on panel, 101 × 87 inches (256.5 × 221 cm)

About

Gagosian is pleased to present a group show including major works by Francesco Clemente, Frank Stella, Philip Taaffe, Robert Therrien, and Ed Ruscha. In addition, there will be a large Dollar Sign painting by Andy Warhol, an erotic sculpture by the London artists Dinos and Jake Chapman, a Spin painting by Damien Hirst, and a motorized work by Chris Burden, in which two models of the Titanic spin around an Eiffel Tower.

Christopher Makos, Andy Warhol at Paris Apartment Window, 1981

In Conversation
Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Jessica Beck

Andy Warhol: Silver Screen

In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Damien Hirst and Ashley Bickerton during an installation at Newport Street Gallery, London, c. 2017

Truth Revealed: Damien Hirst and James Fox on Ashley Bickerton

In conversation with James Fox, Damien Hirst reflects on the artwork of his longtime friend.

Image of American Artist, Yayoi Shionoiri, Sydney Stutterheim

In Conversation
American Artist, Yayoi Shionoiri, and Sydney Stutterheim on Poetic Practical: The Unrealized Work of Chris Burden

Join Gagosian to celebrate the publication of Poetic Practical: The Unrealized Work of Chris Burden with a conversation between American Artist, Yayoi Shionoiri, and Sydney Stutterheim presented at the Kitchen, New York. Considering the book’s sustained examination of sixty-seven projects that remained incomplete at the time of Burden’s death in 2015, the trio discuss the various ways that an artist’s work and legacy live on beyond their lifetime.

Photograph of the installation process of an unrealized performance by Chris Burden at the Newport Harbor Art Museum, California, 1974. Photo: Brian Forrest, courtesy Michael Auping

At the Edge
Chris Burden: Prelude to a Lost Performance

Michael Auping tells the Quarterly’s Alison McDonald about the preparations for a performance by Chris Burden at the Newport Harbor Art Museum in Southern California in 1974—and the event’s abrupt cancellation—providing a glimpse into the mindset of a young, aggressive, and ambitious artist in the early stages of his career.

Takashi Murakami cover and Andreas Gursky cover for Gagosian Quarterly, Summer 2022 magazine

Now available
Gagosian Quarterly Summer 2022

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).