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Summer Shows

July 8–September 3, 2010
980 Madison Avenue, New York

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Installation video

Works Exhibited

Richard Prince, Untitled, 2010 Collage and acrylic on canvas, 48 × 80 inches (121.9 × 203.2 cm)© Richard Prince

Richard Prince, Untitled, 2010

Collage and acrylic on canvas, 48 × 80 inches (121.9 × 203.2 cm)
© Richard Prince

Ed Ruscha, No Man’s Land, 1990 Acrylic on canvas, 54 × 120 inches (137.2 × 304.8 cm)© Ed Ruscha

Ed Ruscha, No Man’s Land, 1990

Acrylic on canvas, 54 × 120 inches (137.2 × 304.8 cm)
© Ed Ruscha

Richard Serra, Beckett, 2009 Paintstick on handmade paper, 82 ½ × 82 ½ inches (209.6 × 209.6 cm)© Richard Serra/Artists Rights Society (ARS), New York

Richard Serra, Beckett, 2009

Paintstick on handmade paper, 82 ½ × 82 ½ inches (209.6 × 209.6 cm)
© Richard Serra/Artists Rights Society (ARS), New York

Christopher Wool, Untitled, 1997 Enamel on canvas, 66 × 48 inches (167.6 × 121.9 cm)© Christopher Wool

Christopher Wool, Untitled, 1997

Enamel on canvas, 66 × 48 inches (167.6 × 121.9 cm)
© Christopher Wool

Anselm Reyle, Untitled, 2008 Mixed media on canvas, acrylic glass, 118 ⅛ × 74 ¾ × 9 ⅞ inches (300 × 190 × 25 cm)© Anselm Reyle

Anselm Reyle, Untitled, 2008

Mixed media on canvas, acrylic glass, 118 ⅛ × 74 ¾ × 9 ⅞ inches (300 × 190 × 25 cm)
© Anselm Reyle

Anselm Reyle, Untitled, 2009 Bronze, chrome optics, patina, and plinth with Makassar ebony veneer, 46 ½ × 39 ⅜ × 39 ⅜ inches (118.1 × 100 × 100 cm), 1 of 8 unique versions© Anselm Reyle

Anselm Reyle, Untitled, 2009

Bronze, chrome optics, patina, and plinth with Makassar ebony veneer, 46 ½ × 39 ⅜ × 39 ⅜ inches (118.1 × 100 × 100 cm), 1 of 8 unique versions
© Anselm Reyle

Mike Kelley, City 7, 2007–09 Mixed media, 52 ¼ × 23 ½ × 23 ½ inches (132.7 × 59.7 × 59.7 cm), edition of 5

Mike Kelley, City 7, 2007–09

Mixed media, 52 ¼ × 23 ½ × 23 ½ inches (132.7 × 59.7 × 59.7 cm), edition of 5

Florian Maier-Aichen, Untitled, 2009 Chromogenic print, framed: 36 ¼ × 46 ⅝ inches  (92.2 × 118.3 cm), edition of 6

Florian Maier-Aichen, Untitled, 2009

Chromogenic print, framed: 36 ¼ × 46 ⅝ inches (92.2 × 118.3 cm), edition of 6

Anselm Reyle, White Earth, 2009 Mixed media on canvas, steel frame, and effect lacquer, 58 ⅜ × 50 inches (148.3 × 127 cm)© Anselm Reyle

Anselm Reyle, White Earth, 2009

Mixed media on canvas, steel frame, and effect lacquer, 58 ⅜ × 50 inches (148.3 × 127 cm)
© Anselm Reyle

About

Gagosian is pleased to present three exhibitions on three floors:

The 6th Floor group show features works by Richard Prince, Ed Ruscha, Richard Serra and Christopher Wool.

The 5th Floor show features a selection of works by German artist Anselm Reyle.

The 4th Floor group show features works by Mike Kelley, Florian Maier-Aichen, and Anselm Reyle.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Richard Serra: Johann Sebastian Bach, performed by Alina Ibragimova

Richard Serra: Johann Sebastian Bach, performed by Alina Ibragimova

Violinist Alina Ibragimova performs Bach’s Sonata for Solo Violin No. 1 in G Major: Adagio (BWV 1001, c. 1720) from within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies, a nonprofit organization that commissions artists to produce site-specific projects and present performances, in collaboration with Gagosian, this recorded performance took place on May 8, 2022 before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).

Richard Serra: Johann Sebastian Bach, performed by Mario Brunello

Richard Serra: Johann Sebastian Bach, performed by Mario Brunello

Cellist Mario Brunello performs Bach’s Cello Suite No. 1 in G Major: Prelude (BWV 1007, c. 1717–23) within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies—a nonprofit that commissions artists to produce site-specific projects and present performances—in collaboration with Gagosian, this recorded performance took place on May 8, 2022, before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).

Richard Prince, Untitled (Original Cowboy), 2013, chromogenic print, in frame, 70 ⅛ × 100 ⅛ × 2 inches (178.1 × 254.3 × 5.1 cm) © Richard Prince, courtesy Richard Prince Studio

Picture Books: Percival Everett and Brandon Taylor

The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.

Black-and-white photograph: Donald Marron, c. 1984.

Donald Marron

Jacoba Urist profiles the legendary collector.

Alexander Calder poster for McGovern, 1972, lithograph

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.