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Anselm Kiefer

Dein und mein alter und das alter der Welt

January 24–February 28, 1998
Wooster Street, New York

Installation view

Installation view

Installation view

Installation view

Works Exhibited

Anselm Kiefer, Your Age and Mine and the Age of the World, 1997 Emulsion, acrylic, clay and sand on canvas, 130 × 220 ½ inches (330 × 560 cm)

Anselm Kiefer, Your Age and Mine and the Age of the World, 1997

Emulsion, acrylic, clay and sand on canvas, 130 × 220 ½ inches (330 × 560 cm)

Anselm Kiefer, Der sand aus den urnen, 1997 Emulsion, shellac, acrylic, clay and sand on canvas, 110 ½ × 220 ½ inches (280 × 560 cm)

Anselm Kiefer, Der sand aus den urnen, 1997

Emulsion, shellac, acrylic, clay and sand on canvas, 110 ½ × 220 ½ inches (280 × 560 cm)

Anselm Kiefer, Sonnenreste, 1997 Emulsion, acrylic, shellac, burnt clay and san on canvas, 149 ⅝ × 220 ½ inches (380 × 560 cm)

Anselm Kiefer, Sonnenreste, 1997

Emulsion, acrylic, shellac, burnt clay and san on canvas, 149 ⅝ × 220 ½ inches (380 × 560 cm)

Anselm Kiefer, Palace of Heaven, 1997 Clay, acrylic, and sand on paper on cardboard, 40 × 31 ½ × 4 inches (101.6 × 80 × 10.2 cm)

Anselm Kiefer, Palace of Heaven, 1997

Clay, acrylic, and sand on paper on cardboard, 40 × 31 ½ × 4 inches (101.6 × 80 × 10.2 cm)

About

Gagosian is proud to present an exhibition by Anselm Kiefer entitled Dein und mein alter und das alter der Welt (Your Age and Mine and the Age of the World). The show will consist of five large new paintings measuring an average of nine feet high by twenty-three feet wide. Accompanying these images on display will be a series of books made by the artist.

As Heiner Bastian has written in the catalogue that accompanies this exhibition, “If these works have a metaphor at all, it is the metaphor that conveys their poetry far away, in the half-obliterated lineaments of the past. One line of a poem takes the analogy far beyond the horizon of paintings, of the horizon of books, to a place where mysterious objects of knowledge exist.” As well, this is a painting of agony, of a journey through a bleak and devastated landscape. For, into symbolic beauty, the destructiveness of reality enters.”

Since his emergence in the late 1970s, Kiefer has been one of Germany’s most significant artists. He was featured in the 1997 Biennale di Venezia with a solo show held at the Museo Correr, concentrating on recent paintings and books.

Jerome Rothenberg in a chair

In Conversation
Jerome Rothenberg and Charles Bernstein

Gagosian and Beyond Baroque Literary | Arts Center hosted a conversation between poets Jerome Rothenberg and Charles Bernstein inside Anselm Kiefer’s exhibition Exodus at Gagosian at Marciano Art Foundation, Los Angeles. Rothenberg and Bernstein explored some of the themes that occupy Kiefer—Jewish mysticism, the poetry of Paul Celan, and the formulation of a global poetics in response to the Holocaust—in a discussion and readings of their poetry.

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Hans Ulrich Obrist’s Questionnaire: Anselm Kiefer

Hans Ulrich Obrist’s Questionnaire: Anselm Kiefer

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents make a selection from the larger questionnaire and reply in as many or as few words as they desire. For the fourth installment, we are honored to present the artist Anselm Kiefer.

Darkly lit road, trees, and building exterior at La Ribaute, Barjac, France.

Anselm Kiefer: Architect of Landscape and Cosmology

Jérôme Sans visits La Ribaute in Barjac, France, the vast studio-estate transformed by Anselm Kiefer over the course of decades. The labyrinthine site, now open to the public, stands as a total work of art, reflecting through its grounds, pavilions, and passageways major themes in Kiefer’s oeuvre: regeneration, mythology, memory, and more. 

Two dress sculptures in the landscape at Barjac

La Ribaute: Transitive, It Transforms

Camille Morineau writes of the triumph of the feminine at Anselm Kiefer’s former studio-estate in Barjac, France, describing the site and its installations as a demonstration of women’s power, a meditation on inversion and permeability, and a reversal of the long invisibility of women in history and myth.