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Photography

August 14–September 2, 2006
Davies Street, London

Andy Warhol, Window Display, Buckwheat, 1986 Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm)

Andy Warhol, Window Display, Buckwheat, 1986

Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm)

Andy Warhol, Store Fronts, Chop Suey, 1980 Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm)

Andy Warhol, Store Fronts, Chop Suey, 1980

Gelatin silver print, 8 × 10 inches (20.3 × 25.4 cm)

Douglas Gordon, Staying home (18.06) and going out (21.06), 2005 Two Polaroid prints, 8 ½ × 14 ½ inches (21.6 × 36.8 cm)

Douglas Gordon, Staying home (18.06) and going out (21.06), 2005

Two Polaroid prints, 8 ½ × 14 ½ inches (21.6 × 36.8 cm)

Douglas Gordon, Staying home (18.19) and going out (21.19), 2005 Two Polaroid prints, 8 ½ × 14 ½ inches (21.6 × 36.8 cm)

Douglas Gordon, Staying home (18.19) and going out (21.19), 2005

Two Polaroid prints, 8 ½ × 14 ½ inches (21.6 × 36.8 cm)

Ed Ruscha, 858 South Devon, 1965/2003 Gelatin silver print, Image: 7 ⅜ × 7 ⅜ inches (18.7 × 18.7 cm), edition of 8

Ed Ruscha, 858 South Devon, 1965/2003

Gelatin silver print, Image: 7 ⅜ × 7 ⅜ inches (18.7 × 18.7 cm), edition of 8

Ed Ruscha, The Continental, 1965/2003 Gelatin silver print, Image: 7 ⅜ × 7 ⅜ inches (18.7 × 18.7 cm), edition of 8

Ed Ruscha, The Continental, 1965/2003

Gelatin silver print, Image: 7 ⅜ × 7 ⅜ inches (18.7 × 18.7 cm), edition of 8

Installation view with Douglas Gordon, Pretty much every film and video work from about 1992 until now... (1999–)

Douglas Gordon: To Sing

On the occasion of Douglas Gordon: All I need is a little bit of everything, an exhibition in London, curator Adam Szymczyk recounts his experiences with Gordon’s work across nearly three decades, noting the continuities and evolutions.

still from video of eyeball

Douglas Gordon: if when why what

Douglas Gordon took over the Piccadilly Lights advertising screen in London’s Piccadilly Circus, as well as a global network of screens in cities including Berlin, Melbourne, Milan, New York, and Seoul, nightly for three minutes at 20:22 (8:22pm) throughout December 2022, with his new film, if when why what (2018–22). The project was presented by the Cultural Institute of Radical Contemporary Art (CIRCA) in conjunction with the exhibition Douglas Gordon: Neon Ark at Gagosian, Davies Street, London.

Christopher Makos, Andy Warhol at Paris Apartment Window, 1981

In Conversation
Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Jessica Beck

Andy Warhol: Silver Screen

In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Black-and-white photograph: Donald Marron, c. 1984.

Donald Marron

Jacoba Urist profiles the legendary collector.

Alexander Calder poster for McGovern, 1972, lithograph

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.