Menu

News / Events

In Conversation

Hand in Hand
AI Art and Creativity

Wednesday, April 10, 2024, 6:30pm
Whitney Museum of American Art, New York
whitney.org

Join the Whitney Museum of American Art for a conversation inspired by the exhibition Harold Cohen: AARON, which traces the evolution of the earliest artificial intelligence (AI) program for art making, on view at the museum through May 19. Artists Beth Coleman, Bennett Miller, Mimi Ọnụọha, and David Salle—who all use AI in their respective practices—will present short presentations on their working methods and tools, and the Whitney’s curator of digital art, Christine Paul, will lead a moderated discussion on how AI can enable new forms of creativity and artistic agency while also addressing its corporate structures and critical blind spots. The in-person event can also be attended online.

Register

Harold Cohen, AARON KCAT, 2001, Whitney Museum of American Art, New York © Harold Cohen Trust

Harold Cohen, AARON KCAT, 2001, Whitney Museum of American Art, New York © Harold Cohen Trust

Related News

Bennett Miller, Untitled, 2023

In Conversation

Bennett Miller
Michael Govan

Saturday, January 20, 2024, 11am
Gagosian, Beverly Hills

Join Gagosian for a conversation between Bennett Miller and Michael Govan, CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art, inside the artist’s exhibition at Gagosian, Beverly Hills, featuring new AI-generated prints. The pair will explore the connections between the emergence of artificial intelligence and the history of the photographic image, as well as discuss the inspiration and process behind the prints on view and their dialogue with the contemporary landscape. Created with a DALL•E image generator, these melancholic images pose questions around the contingent and enigmatic nature of perception.

Register

Bennett Miller, Untitled, 2023

Nan Goldin, Marlene as a showgirl on stage with Sylvia Sidney, The Other Side, Boston, 1973 © Nan Goldin

Visit

London Gallery Weekend 2024
Nan Goldin

May 31–June 2, 2024
Various locations in London
londongalleryweekend.art

As part of London Gallery Weekend, Gagosian will have extended hours at its London locations. Visitors can see Nan Goldin’s film Sisters, Saints, Sibyls, the second presentation of Gagosian Open, at 83 Charing Cross Road, as well as an exhibition of select early black-and-white photographs by the artist at Gagosian, Burlington Arcade. 

Additionally, Goldin’s Gagosian Shop takeover is open, featuring a reading room of books she has chosen, publications on her work, and a display of in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné published by Steidl. In its fourth year, London Gallery Weekend is a free annual event featuring over 150 of the city’s leading contemporary art galleries coming together to celebrate culture and creativity.

Nan Goldin, Marlene as a showgirl on stage with Sylvia Sidney, The Other Side, Boston, 1973 © Nan Goldin

Left: Sophia Heriveaux. Photo: Zayira Ray. Right: Roger Guenveur Smith

In Conversation

Sophia Heriveaux and Roger Guenveur Smith
On Jean-Michel Basquiat

Tuesday, June 4, 2024, 6pm
Gagosian, Beverly Hills

Join Gagosian for a conversation between director, producer, and writer Sophia Heriveaux and actor, director, and writer Roger Guenveur Smith to mark the closing of the exhibition Jean-Michel Basquiat: Made on Market Street at Gagosian, Beverly Hills. Heriveaux and Guenveur Smith both share a personal connection to Basquiat: Heriveaux is the artist’s niece and Guenveur Smith was one of his friends and collaborators. The pair will discuss Basquiat’s work and legacy as well as his lasting impact on contemporary art and culture.

Register

Left: Sophia Heriveaux. Photo: Zayira Ray. Right: Roger Guenveur Smith

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Film still from Nan Goldin's "Sisters Saints Sibyls" video art features a child wearing a mask

Nan Goldin: Sisters, Saints, Sibyls

Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.

Jane Fonda wearing a white suit and speaking at a podium at the Art for a Safe and Healthy California benefit launch

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

Rick Lowe's painting "Diplopia" from 2023, it is acrylic and paper collage on canvas

Notes to Selves, Trains of Thought

Dieter Roelstraete, curator at the Neubauer Collegium for Culture and Society at the University of Chicago and coeditor of a recent monograph on Rick Lowe, writes on Lowe’s journey from painting to community-based projects and back again in this essay from the publication. At the Museo di Palazzo Grimani, Venice, during the 60th Biennale di Venezia, Lowe will exhibit new paintings that develop his recent motifs to further explore the arch in architecture.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Black and white portrait of Jacques Lacan wearing a pinstripe suit and smoking a cigarette

Lacan, the exhibition

On the heels of finishing a new novel, Scaffolding, that revolves around a Lacanian analyst, Lauren Elkin traveled to Metz, France, to take in Lacan, the exhibition. When art meets psychoanalysis at the Centre Pompidou satellite in that city. Here she reckons with the scale and intellectual rigor of the exhibition, teasing out the connections between the art on view and the philosophy of Jacques Lacan.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

portrait of Marcantonio Brandolini D’Adda's profile, the sun is illuminating him from behind

Laguna~B

An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies of museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Willem De Kooning in his studio in East Hampton, New York. He is surrounded by bowls of different colored paints

Willem de Kooning and Italy

In tandem with the 60th Biennale di Venezia, the city’s Gallerie dell’Accademia is featuring the exhibition Willem de Kooning and Italy, an in-depth examination of the artist’s time in Italy and of the influence of that experience on his work. On September 20 of last year, the curators of the exhibition, the American Gary Garrels and the Italian Mario Codognato, engaged in a lengthy conversation about the exhibition for a press conference at the museum. An edited transcript of that conversation is published below for the first time.